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Selected Prose of Bobbie Louise Hawkins Edited by Barbara Henning

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Bobbie Louise Hawkins captures the sound of the human voice on the page with grace and honesty and allegiance to the music of the way people talk, interact, lie to themselves (and others), make speeches, converse. Her (dis)comfort zone is the fine line between past and present, who you want to be and who you are, and she always knows when to stop. Applause to Barbara Henning for gathering these minimalist-epic tales all in one place, a keepsake for the ages.

—Lewis Warsh

When Bobbie Louise Hawkins sets out to tell a story, a spell is cast. The entrancement of her narrative and her vivacity for real people in the quotidian of real human situations is impeccable. What supreme fortune to have her voice among us and to have now available this selected prose of her work. A prose Electric with Life!

—Maureen Owen

Bobbie Louise Hawkins is a remarkable master of the witty understated prose sentence and writes in the lineage of Barbara Pym and Jane Bowles; she is also a fabulous storyteller with a great ear for the "very thing": quip or bon mot. She should be more discovered and read beyond her adoring fans at the Jack Kerouac School of Disembodied Poetics where Bobbie presided as a grande dame teacher and consummate genius performer of her work many years. This collection is a terrific revival!

—Anne Waldman

Bobbie Louise Hawkins has written more than twenty books of fiction, non-fiction, poetry, and performance monologues. She has performed her work at Joseph Papp’s Public Theater, Bottom Line and Folk City in New York City; at The Great American Music Hall and Intersection in San Francisco, as well as reading and performing in Canada, England, Germany, Japan, Holland, and more. In England she worked with Apples and Snakes, read at the Canterbury Festival and the Poetry Society. She was commissioned to write a one-hour play for Public Radio’s “The Listening Ear,” and she has a record, with Rosalie Sorrels and Terry Garthwaite, Live At The Great American Music Hall, available from Flying Fish. She was invited by Anne Waldman and Allen Ginsberg to begin a prose concentration in the writing program at Naropa University where she taught for twenty years.

Barbara Henning is the author of three novels, seven books of poetry, as well as a series of photo-poem pamphlets. Her most recent books are Cities and Memory (Chax Press), Looking Up Harryette Mullen: Interviews on Sleeping with the Dictionary and Other Works (Belladonna Series), Thirty Miles to Rosebud (BlazeVOX) and My Autobiography (United Artists). In the nineties, Barbara was the editor of Long News: In the Short Century. Barbara was born in Detroit and moved to New York City in the early eighties. Professor Emerita at Long Island University, Brooklyn Campus, she continues to teach courses for Naropa University, as well as LIU.