Excentrica: Notes on the Text by Steven C Reese
It’s a rare poet who can look the muse in the eye and speak through or with her as Reese has done in this fragmentary and insightful collection, which reads both as a form of exegesis, literary criticism and dialogue, as well as a love poem to literature. It is at once a beautiful composition in its own right, and an illumination of the magic and mystery of composing verse, addressing the poets’ many sources of influence and inspiration. —Nin Andrews
It’s a rare poet who can look the muse in the eye and speak through or with her as Reese has done in this fragmentary and insightful collection, which reads both as a form of exegesis, literary criticism and dialogue, as well as a love poem to literature. It is at once a beautiful composition in its own right, and an illumination of the magic and mystery of composing verse, addressing the poets’ many sources of influence and inspiration. —Nin Andrews
It’s a rare poet who can look the muse in the eye and speak through or with her as Reese has done in this fragmentary and insightful collection, which reads both as a form of exegesis, literary criticism and dialogue, as well as a love poem to literature. It is at once a beautiful composition in its own right, and an illumination of the magic and mystery of composing verse, addressing the poets’ many sources of influence and inspiration. —Nin Andrews
It’s a rare poet who can look the muse in the eye and speak through or with her as Reese has done in this fragmentary and insightful collection, which reads both as a form of exegesis, literary criticism and dialogue, as well as a love poem to literature. It is at once a beautiful composition in its own right, and an illumination of the magic and mystery of composing verse, addressing the poets’ many sources of influence and inspiration. Reading it, I envisioned a stone skipping across the surface of our literary history, leaving ever-expanding circles behind it before sinking into the water. And while the muse, Renate Ștefan perhaps the alter-ego of Steven Reese, or the reborn Reese as the name suggests, might be like the skipping stone, it is the circles left in her wake that the writer is left with, that he delineates and celebrates in this remarkable text.
—Nin Andrews
Steven Reese’s poem/essay/disquisition on/history of poetry stretches the boundaries of not only our definitions of poetry, but also the limits of language and its ongoing challenge to loosen itself from its leashes. True to its thesis, this work itself extends our definition of what a poem, as well as a poet, should be. His argument describes that quality of poetry that (similar to what Robert Bly says) “leaps” beyond the strictures of inhibiting poetic form, away from the ethno-, ego-, concentric, to the ex-centric. He brings along for the tour some of the greatest voices in poetry—not only in English, but in many other languages—including Yeats, Emerson, Rilke, Sappho, Dickinson, Paz, Mallarme, Elizabeth Barrett Browning, and others who describe poetry’s out-bound force. Someone once said a great poet should think as well as sing, and Reese proves it can be done by taking us on a breathtaking poetic/aesthetic ride. And don’t even think about fastening your seat belt.
— William Greenway
Exhilarating. Expansive. Two margins charging the space between with eros.
—Caroline Longstreet
Steven Reese is the author of two previous volumes of poetry, Enough Light to Steer By (Cleveland State) and American Dervish (Salmon), as well as two volumes of translation, Synergos (selected poems of Roberto Manzano; Etruscan) and Womanlands (selected poems of Diana María Ivizate González; Verbum, Spain). He teaches literature and poetry writing at Youngstown State University in Ohio, where he currently directs the Northeast Ohio MFA in Creative Writing. Visit him at screeseonline.com.
Book Information:
· Paperback: 110 pages
· Binding: Perfect-Bound
· Publisher: BlazeVOX [books]
· ISBN: 978-1-60964-279-2